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practice

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Dance and whiteness Dec 20, 2019 practice Contemporary Dance and Whiteness is a research project by Royona Mitra, Arabella Stanger and me. We aim to to explore racism in contemporary dance 5.2 (Self) Portraits Jun 5, 2019 practice I am curious about the ways in which dance has resisted influence and quotation within the art form. For the most part, choreographers want to be Recovery Dec 3, 2014 practice Absence may hover over this piece, but it is coupled with the ever-present hum of life. At the end, we are guided up to where we began, but we are Pause. Listen. Sep 17, 2014 practice is a dance by Chisato Ohno (dancer), Simon Ellis (choreographer), and Jackie Shemesh (designer). It is designed to adapt and change Anamnesis Nov 26, 2009 practice All our will, our wishes, our hope cannot stop this. Anamnesis is a screendance project by Cormac Lally (videography/editing), David Corbet (sound), A Hypermedia Remembering Dec 1, 2005 practice Indelible: A Hypermedia Remembering (2005) examines notions of memory, remembering and representation within a movement and performance research Sleep. Wake. Dream. Aug 20, 2005 practice A small room. No doors. No light. Dank. Locked. No shouting. No movement. In your dream, I am breathing. And you are clenched in stillness. In my Indelible Feb 4, 2003 practice She sat on the bank and drank oblivion of her former life. Suppose that a young woman passing between life and death, in an imaginary liminal Lying Nov 21, 2002 practice She tried to hug me, I wasn’t listening. A movement and video performance developed by Simon Ellis and students of the Victorian College of the Full Jun 20, 2001 practice With Full, independent dance choreographer Simon Ellis has crafted a minutely detailed and effectively flawless dance installation. – Ben Zipper undone years May 18, 2000 practice I am the enemy you killed, my friend. A movement theatre work by Simon Ellis and first year students of the Victoria College of the Arts. Presented Semi-detached (Poss. 2nd bdrm.) Nov 17, 1999 practice Just as we are shaped and influenced by where we live, and what it is that we call ‘home’, Semi-detached (poss. 2nd bdrm) is the result of Touch Aug 7, 1998 practice Distance | Proximity | Voice | Movement Design, choreography & performance: Simon Ellis Voice: Christine Sullivan Slide Design & Projection: