hands that don’t want anything singing and dancing losing oneself given a price on remembering everything Godin on ideas three chairs growth felt in christ Freelance Dance Artists’ Working Ecology he danced listening and pain body politics vernacular activities one sentence email tips scrutiny ripeness mini essay Esther May Campbell a community of practice a nest for hope Colin, Simon and I archive power of a lifetime now: 4 January 2023 brittle with relics the land in you Adam Phillips on attention urgent time when we party we dance an image is a call lost types of participation Go in and in Agatha Yu GIFs one of a crowd Force Majeure quality and quantity accents and bravery suzannah uniqueness and sonder would have been frame.2 - connecting, moving & making online the arrow emerging experience gabrielle stand by me cookie monster now: 4 October 2021 time management advice probably in a good place what one already knows the show is over belonging is stronger than facts now: 25 July 2021 weakness of the flesh choreography and explaining jokes 2004 and 2021 elvis legs grateful love the infinite game and choreography choosing to pay now: 17 April 2021 the eyes of the other loneliness, uncertainty and boredom better left unsaid 120fps le mani before they love sneaky aspects of group deliberation informational heartbeats what gordon parks saw rhoneisms ideology mean world syndrome dream baby dream and joy xkcd hug count the families if then else nobody the competency model the art of reading question your teaspoons midlifing how to receive updates how a conversation is going to go uncertainty and continuous updating how to disagree aroha atkinson hyperlegible font secret history of our enemies popcorn popping long form documents installation view three applications for research asking questions research systems there is no cloud dial-a-spectacle nick cave and mercy failed institute of failure slow motion postcards from before advantage of writing the long view naps tendency to want to do something changing minds donato sansone concatenation comfort in confront our errors empty for nothing is fixed eighteen pandemic intimacy one fine day too old to dream sniff the screen to question your knowledge in my body ige consumption small acts of transformation why dance matters now running and avoiding scale memory is like a wikipedia page not standing on your own stumbling across down autobiography in five short chapters the pleasure of making things two people together blog post g the invention of clothing embodied and disembodied phones, feelings and radically analogue bodies emotions are you comfortable there? being heard discarding tribal allegiance algorithms city roads beyond ideas of wrongdoing and rightdoing dance my life away git move slow consent is only meaningful if it is informed just like you the ordinary people terrible sex the long arc end of a dancer stuck on a sentence the worth of an idea on silence and speaking challenge our ways some dancing strong opinions every young person education as a privately consumed good not about intellectual humiliation new eyes a different kind of biography i could have sally potter and the best time to start is now the dead reliable source anne boyer rules for teachers civic responsibility curing affluenza data shona history the dirt overton window maximum irony and losing your data ahmed and recognising systems viola sunrise full responsibility listening will not compute at night dancehouse between faces blog started dancing nepotism and privilege in terms of performance we took photographs eu copyright directive ancora una volta real time archive resolutions some things about dance podcast internet rules microflicks to avoid having to communicate the system skellis dot info cognitive biases wombat radio ambition writing advertising we like lists copy what we want sprawl andree limitations not for choreographic purposes educational persuasion baldwin on america privacy and eff ouspe resist being contained obfuscation practice of value mediawall feeding research on leaving facebook blogging to save the new precariat showing not telling anamnesis italiano letting us know that they know hazelnut chocolate springsteen on pure experience curse of knowledge we record ourselves numbers and evil documenting the document disciplines one simple assumption empathetic writing refuses to disappear extend their experience training mind and body ted talks and creativity green shifting and success shannon and bassano provoke and disturb big data paradoxes for students our white friend copy not knowing what we are looking for word, academia and just writing return to their skin students phd proposal attention, friendship and dramaturgy christian wolff and writing music arfaot and dramaturgy in sassari freedom, privacy and value reading rafa lisa nelson bleeker on dramaturgy supervision and the loop igor and moreno and boldness just one shortcut caring about education administrative purpose seeing people not training attention ideas and noise learning journey higher education environment on being injured memory and the future excellent sheep where the heart beats recovery melbourne colin simon and i silence dance is a messy business the para-academic knowing and not knowing producer type people new project and respecting the dancer performances hard to see all day long skellis.net plasticity and collaboration eva recacha context and meaning hear me roar creative behaviour passing by becoming witch responsibility and organisations all the things that we can do dramaturgy and idiot-syncrasy fighting the good fight at movement research and judson church many words of dancing humbled criticism and listening chocolate ticking things over letters to future students Szott, Gove and noticing things liberal education tiring of creativity bruce quote on experience sorry if anamnesis what did you do? teaching choreography provoking not telling indelible update cheap joke resonating wildly blind spots promoting ideas working at speed heart places stories already there audience performer configurations paxton preparing for ghosts - the many melodies michael vs ken writing workflow thinking is dangerous excitement of the new bubble material translations 100 day project contradiction difference and change physical fractals — a response the time it takes trailer letter to Mårten Spångberg observation collected links about practising decision making and slipperiness good fucking design advice pursuing interest zyx the perfect dance critic on imagination contradictory ideas separation and screendance blurred comments are open adverbs: a game to play News #8: European Spring / Antipodean Autumn straybird, what matters Deborah Hay’s I Think Not Kapiti Island, NZ News #7: European Autumn / Antipodean Spring comma40 more on blogs and teaching the arrival of self-consciousness? blogs in teaching and learning work place loss lists tennis how much? bias towards action greatest gift on friendship single idea berger on collaboration rehearsal for leaving wild ideas better late than never some guy called Pablo delusion, choreography and dramaturgy on humour European Spring / Antipodean Autumn restless writing assessing information veronique inadequate practice as research in dance outside AiR he is not here cicero good old days screendance symposium friday 4th february 2011 movement 12 defaulting jonathan burrows mentioning christian wolff rhythms of performance dad an experiment seam 2010 bechdel and scott pilgrum beautiful fine fine fine reblog: Stephen Fry cutting into the Catholic Church (2009) reaching beyond crossing borders at siobhan davies dance skin deep cognitive scientists forty part motet man on wire the same river twice shamefully family game intelligence freedom and dignity buber and the interhuman new ways to move a moment loop jose vidal company dan pink autonomy mastery and purpose thomas ostermeier guillaume nery and julie gautier headghgh kazuo ohno dies more mini fridge toxification screaming men giant smoke ring machine by scott mitchell play zebra Monks Aid Rescue Effort in Kyegundo Jónsi and Artaud not much to do with art, but fun anyway moooooooo naked on learning some more on working with Bagryana Popov Bagryana adapting no paper? Charlie Gillett David Byrne on collaboration dog ramp reblogging Guy Watson about meat (not a polemic) protecting borders at Christmas time Moves2010 “Framing Motion” hitherto double-take improve your hearing and enhance your image! unlike like other marshmallow blasters! 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Somatics unlimited Dance after lockdown - living with paradox Colin, Simon and I archive Fading out the human presence: A conversation between Barbara Stimoli, Titta Raccagni and Simon Ellis Editorial: Making choreography, making community Attention Lithium Dancing (in plain sight) Children of the Soil Force Majeure Dancing their unhappy freedoms the body in time Editorial: Shifting Dependence Cellule d’Essai 2021: A biography of sorts Editorial: Opposite Sides of Something lil making postcards Editorial chasing elvis midlifing Corporeal Epistemics two people together Currency of Play Full Responsibility Pause. Listen: Visibility and Freedom in Choreographic Practice Between Faces That Thing Produced We Took Photographs and that is what you see us by some things about dance We Like Lists Because We Don’t Want to Die not for choreographic purposes Sprawl portrait We Record Ourselves women will always be blamed for everything woman is fire bearing fire Our White Friend Attitudes and Principles of Making Jealousy, Transmission and Recovery Attention, friendship and dramaturgy Recovery Collaboration, Violence and Difference Pause. Listen. Untitled Project About Love A Separation Dancing Words Dancing With Myself, Oh Oh Oh Because We Care I Think Not Booth: A Dance Fair pictures My Name is Colin, and This is Simon Anamnesis (remembered) Desire Lines Leaving Anamnesis Hands that don’t want anything Down (working title) Tuesday Gertrud The Timed Body then/now Four Acts of Violence Leading Up to Now microflicks dad.project Tight Inert A Hypermedia Remembering A Little Dance Sleep. Wake. Dream. Indelible Lying Full undone years Semi-detached (Poss. 2nd bdrm.) Touch