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will not compute the system baldwin on america memory and the future paradoxes for students yoga for cyclists on leaving facebook the worth of an idea on being injured return to their skin are you comfortable there? preparing for ghosts - the many melodies play bleeker on dramaturgy malaise teaching choreography embodied and disembodied refuses to disappear dancing lines attention, friendship and dramaturgy dance is a messy business word, academia and just writing performances methods for testing grace #1 Monks Aid Rescue Effort in Kyegundo dancehouse some dancing cicero shannon and bassano anamnesis italiano numbers and evil pandemic intimacy contradiction a moment excitement of the new strong opinions audience in my body privacy and eff education as a privately consumed good limitations autobiography in five short chapters ahmed and recognising systems every young person caring about education think tank overton window bubble training mind and body fine fine fine lie documenting the document challenge our ways practice as research in dance the para-academic knowing and not knowing outside AiR sniff the screen red sun seam 2010 skin deep Yvonne Rainer discarding tribal allegiance the language of groups tendency to want to do something zebra heart spaces brief phd proposal to question your knowledge feldenkrais buber and the interhuman reading rafa dance out there to avoid having to communicate the long arc provoking not telling not knowing what we are looking for letting us know that they know terrible sex forty part motet bruce quote on experience distracted by traffic green shifting and success giant smoke ring machine by scott mitchell happy obstacle course for the mind new project and respecting the dancer Jónsi and Artaud obfuscation changing minds just out of Furness, Scotland (August 2009) resolutions the dirt just one shortcut screendance symposium friday 4th february 2011 michael vs ken andree real time archive city roads empathetic writing headghgh no paper? ted talks and creativity writing workflow algorithms mini fridge where the heart beats data higher education environment the body and walking beyond ideas of wrongdoing and rightdoing ticking things over big data assessing information responsibility and organisations all the things that we can do freedom and dignity on silence and speaking screaming men working at speed naps g truth recovery melbourne the long view movement 12 he is not here hard to see resonating wildly influence toxification David Byrne on collaboration git not standing on your own anamnesis not for choreographic purposes viola sunrise showing not telling postcards from before quodlibet quantity of ideas irony capital skellis dot info blogging to save the new precariat arfaot and dramaturgy in sassari staying attentive the same river twice reaching beyond give me the pleasure of making things eva recacha we context and meaning mind brain on ordinary stumbling across down why dance matters now power hear me roar paxton guillaume nery and julie gautier some things about dance podcast between faces blog ocean without a shore moooooooo listening two types of blogs final cut online collaboration reading inadequate change letters to future students embodiment running and avoiding curing affluenza copy what we want naked confront our errors cheap joke passing by our white friend copy end of a dancer 505 not about intellectual humiliation empty move slow suspension bridge General Patton kazuo ohno dies freedom, privacy and value curse of knowledge 100 day project writing lisa nelson donato sansone concatenation supervision and the loop on learning memory is like a wikipedia page tube de-advertising administrative purpose extend their experience fighting the good fight at movement research and judson church sorry if being heard emotions hotel on Eastlink, Melbourne Bagryana adapting Charlie Gillett reblog: Stephen Fry cutting into the Catholic Church (2009) waving skellis.net fleeting criticism and listening Nowhere and Everywhere at the Same Time started dancing Marina Abramović presents … stories already there christian wolff and writing music the invention of clothing full responsibility educational persuasion dramaturgy and idiot-syncrasy tinder box microflicks excellent sheep one simple assumption critical running Pōhutukawa indelible update records eighteen becoming witch stuck on a sentence at night small acts of transformation Szott, Gove and noticing things rhythm loop jose vidal company anne boyer rules for teachers Forsythe Company’s ‘Nowhere and Everywhere at the Same Time’ colin simon and i silence the ordinary people two people together blog post i could have melbourne sky attention sally potter and the best time to start is now disciplines reblog: pretentiousness Recovery in terms of performance an experiment more realness hitherto ambition history improve your hearing and enhance your image! we record ourselves new ways to move capitalism is an impeccably inclusive creed nepotism and privilege new eyes unlike like other marshmallow blasters! cognitive scientists time steve’s palate methods for testing grace #2 internet rules veronique marketing dog ramp madness advertising dad Bacon’s dog promoting ideas scale defaulting tiring of creativity the dead mediawall Lapage and the image good old days feeding research we took photographs liberal education ige what did you do? humbled rhythms of performance provoke and disturb jonathan burrows mentioning christian wolff dance my life away plasticity and collaboration double-take ideas and noise beautiful ouspe resist being contained failure thomas ostermeier comfort in jacaranda igor and moreno and boldness seeing people not training students wombat radio reliable source consent is only meaningful if it is informed chocolate many words of dancing maximum irony and losing your data Rose Hacker cognitive biases ancora una volta not much to do with art, but fun anyway too old to dream shona Moves2010 “Framing Motion” consumption self cleaning wildness springsteen on pure experience for nothing is fixed producer type people protecting borders at Christmas time shamefully family hazelnut chocolate A Dead Statesman (1924) one fine day game intelligence once blind spots dan pink autonomy mastery and purpose learning journey crossing borders at siobhan davies dance some more on working with Bagryana Popov civic responsibility sprawl man on wire bechdel and scott pilgrum restless writing a different kind of biography reblogging Guy Watson about meat (not a polemic) slow motion creative behaviour we like lists all day long reblog: when everyone is a curator just like you eu copyright directive practice of value first attention advantage of writing
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A Little Dance Booth: A Dance Fair We Record Ourselves Leaving Attitudes and Principles of Making My Name is Colin, and This is Simon Full Responsibility Desire Lines portrait Because We Care Currency of Play dad.project We Like Lists Because We Don’t Want to Die women will always be blamed for everything and that is what you see us by Gertrud Collaboration, Violence and Difference Semi-detached (Poss. 2nd bdrm.) two people together The Timed Body We Took Photographs Dancing Words pictures Recovery Indelible Jealousy, Transmission and Recovery Full I Think Not woman is fire bearing fire Tight Between Faces Attention, friendship and dramaturgy Sleep. Wake. Dream. Four Acts of Violence Leading Up to Now Dance and whiteness Our White Friend Pause. Listen. Inert Touch Dancing With Myself, Oh Oh Oh microflicks Anamnesis Racism and Contemporary Dance Tuesday That Thing Produced Lying not for choreographic purposes then/now Untitled Project About Love some things about dance A Separation Sprawl Down (working title) Corporeal Epistemics undone years Pause. Listen: Visibility and Freedom in Choreographic Practice A Hypermedia Remembering 5.2 (Self) Portraits
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That Thing Produced Dancing Words Attitudes and Principles of Making My Name is Colin, and This is Simon some things about dance Jealousy, Transmission and Recovery Dancing With Myself, Oh Oh Oh Attention, friendship and dramaturgy Pause. Listen: Visibility and Freedom in Choreographic Practice Collaboration, Violence and Difference