|||

thomas ostermeier

Gerhard Jörder writing about German Theatre maker Thomas Ostermeier:

Ostermeier’s understanding of realism is ultimately aimed at enlightenment. He is in favour of a new substance to theatre, against the arbitrariness of destruction and the aesthetics of anything goes”. Especially since people’s social experiences are so disrupted and, in many cases, broken, the need to at least fake something like unity, context and design is growing”: this, he says, is the reason for the realistic approach in his work. But the moral is not in the direct statement; much rather it is in the form.

http://www.goethe.de/kue/the/reg/reg/mr/ost/por/enindex.htm

And a small taste:

Up next guillaume nery and julie gautier Reblogged from http://slightlymoving.tumblr.com/post/663083109/makenosound-world-champion-freediver-guillaume dan pink autonomy mastery and purpose
Latest posts three chairs growth felt in christ Freelance Dance Artists’ Working Ecology he danced listening and pain Somatics unlimited body politics vernacular activities one sentence email tips scrutiny ripeness Dance after lockdown - living with paradox mini essay Esther May Campbell a community of practice a nest for hope Colin, Simon and I archive power of a lifetime now: 4 January 2023 Editorial: Making choreography, making community Fading out the human presence: A conversation between Barbara Stimoli, Titta Raccagni and Simon Ellis brittle with relics the land in you Attention Adam Phillips on attention Lithium Dancing (in plain sight) urgent time when we party we dance Children of the Soil an image is a call