|||

on remembering everything

I like Ted Chiang’s writing a lot. Here’s a brief excerpt from his short story The Truth of Fact, The Truth of Feeling. The premise of the story is some AI software called Remem that trawls the footage from our always on personal cameras to make connections or memories.

People are made of stories. Our memories are not the impartial accumulation of every second we’ve lived; they’re the narrative that we assembled out of selected moments. Which is why, even when we’ve experienced the same events as other individuals, we never constructed identical narratives: the criteria used for selecting moments were different for each of us, and a reflection of our personalities. Each of us noticed the details that caught our attention and remembered what was important to us, and the narratives we built shaped our personalities in turn. But, I wondered, if everyone remembered everything, would our differences get shaved away? What would happen to our sense of self? It seemed to me that a perfect memory couldn’t be a narrative any more than unedited security-cam footage could be a feature film.

Up next Godin on ideas Here’s Seth Godin on where ideas come from. For some reason I didn’t write down where I found them but I suspect it was from his book The Song of given a price From Kate Raworth’s 2017 book Doughnut Economics: [Twentieth Century economic] theory overlooks the fact that some things may be put in jeopardy
Latest posts hands that don’t want anything singing and dancing losing oneself given a price on remembering everything Godin on ideas three chairs growth felt in christ Freelance Dance Artists’ Working Ecology he danced listening and pain Somatics unlimited body politics vernacular activities one sentence email tips scrutiny ripeness Dance after lockdown - living with paradox mini essay Esther May Campbell a community of practice a nest for hope Colin, Simon and I archive power of a lifetime now: 4 January 2023 Editorial: Making choreography, making community Fading out the human presence: A conversation between Barbara Stimoli, Titta Raccagni and Simon Ellis brittle with relics the land in you Attention