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restless writing

If artists more frequently approached writing in public as just such an extension, rather than a means of explaining or promoting it, they might find the process comes more naturally. I’m calling for a messier kind of writing, more vulnerable and yet more declamatory. Writing that is the product of a desire to speak as well as an obligation to communicate. A more restless kind of writing, devoid of neatness, riddled with ambiguities and rhetorical flourishes. Writing that expresses the same wants and preoccupations as that artist’s other creative output, without needing to comment on that work. Writing suffused with generosity and fragility. The page as a canvas or a stage, as well as space for programme notes.

– Andy Field https://www.theguardian.com/stage/theatreblog/2011/feb/18/artists-blogging-work

Up next assessing information the greatest challenge of our current, digital information age is assessing, not accessing information. – Dwayne Harapnuik (cited or reworded by European Spring / Antipodean Autumn Dear All Some brief news about some things I’m involved in over the coming months … 1. Colin, Simon & I Colin Poole and I are currently finishing
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