|||

the perfect dance critic

I’ve been meaning to reblog Miguel Gutierrez’s perfect critic” for quite some time. Thanks to Atlanta Eke and friends (via facebook) for the heads up.

The perfect dance critic discusses the implications of the different cultural representations of gender, race, sexual orientation or class in the work. The perfect dance critic acknowledges his own cultural position when addressing these issues, and how that cultural position may shape his feelings or responses.

Here’s the full link: miguelgutierrez.org/words/the-perfect-dance-critic/

Superb.

Update: 10 December 2020. It’s strange reading this back. I don’t know how superb it is. I’m wondering how any of us is able to account for who we are in such a way. Perhaps I’d be more interested in a critic just being transparent about their tastes and why.

Up next on imagination Earlier this year I was asked to write a short essay for Dancehouse’s (Melbourne) ‘magazine’ based on the theme of “What’s coming?”. Then, last zyx ZYX is an iPhone app by JODI: http://jodi.org Specifically, we noticed the user interface of your app is not intuitive and could not be navigated.
Latest posts a nest for hope Colin, Simon and I archive power of a lifetime now: 4 January 2023 brittle with relics the land in you Attention Adam Phillips on attention Lithium Dancing (in plain sight) urgent time when we party we dance Children of the Soil an image is a call lost types of participation Go in and in Agatha Yu GIFs one of a crowd Force Majeure quality and quantity accents and bravery Force Majeure suzannah Dancing their unhappy freedoms uniqueness and sonder the body in time would have been frame.2 - connecting, moving & making online the arrow emerging experience Editorial: Shifting Dependence