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and that is what you see us by

A performance installation by Natalia Barua, Katrina McPherson and Simon Ellis.

We took photographs; a lot of photographs. We wanted to know what we were seeing, and how we were seen in these images. We struggled with questions to do with intimacy and privilege, and how our bodies — and the images of our bodies — are implicated in the construction of meaning and culture.

Initial draft: The Work Room, Glasgow. 8 March 2018.

This work was initiated by Katrina for a project called Perceptions of Memory, and was developed with the support of Creative Scotland and The Work Room.

The development of and this is what you see us by was supported by C-DaRE (Centre for Dance Research) at Coventry University.

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Up next ambition I used to be a member of The Place’s associate artist scheme called Work Place, and I see that my 2011 biography still exists on their site: wombat radio Matt Cornell is a dance artist based in Sydney. For some time now he has been producing a podcast called Wombat Radio. The interviews – most often
Latest posts slow motion postcards from before advantage of writing the long view naps tendency to want to do something changing minds donato sansone concatenation comfort in confront our errors empty for nothing is fixed eighteen pandemic intimacy one fine day too old to dream sniff the screen to question your knowledge in my body ige consumption small acts of transformation why dance matters now running and avoiding scale memory is like a wikipedia page not standing on your own stumbling across down autobiography in five short chapters the pleasure of making things Corporeal Epistemics